Gregory D. McDaniel
New Jersey Symphony 2024–25 Colton Conducting Fellow
Gregory D. McDaniel is a passionate conductor who is active in many different musical surroundings.
Praised for his “impeccable musicality and technique” (La Presse – Montreal), McDaniel was recently featured in concert with the Orchestre Métropolitain in Québec, conducting Lili Boulanger’s D’un Matin de printemps. Last summer, as a member of the Orchestral Conducting Academy at the Académie du Domaine Forget de Charlevoix, he worked with the Orchestre Symphonique de Québec under the tutelage of conductors Thomas Rosner and Yannick Nézet-Séguin.
Last season, McDaniel led two projects for the Houston Ebony Opera Guild, including their annual African-American Music Gala, which featured a performance of Julia Perry’s Stabat Mater. He also worked with Opera in the Heights as cover conductor and chorus master for their production of La Bohéme, and cover conductor for their production of Hansel and Gretel.
This upcoming season, in addition to receiving the Colton Conducting Fellowship with the New Jersey Symphony, McDaniel will work with Opera in the Heights as cover conductor and chorus master for their production of Lucia di Lammermoor. He will also conduct the Houston premiere of Laura Kaminsky’s pivotal opera As One for HOPERA.
Past seasons have included leading performances of William Grant Still’s Highway 1, USA and Missy Mazzoli’s Proving Up for Opera Ithaca. He also had the opportunity to work with the Boise Baroque Orchestra in works by Mozart and Haydn, and he also worked with the Prizm Ensemble in a concert that featured Emmy and GRAMMY Award-winning baritone Reginald Smith, Jr. With the University of North Texas Chamber and Concert Orchestras, McDaniel conducted the works of Beethoven, Mendelssohn, Sibelius, Puccini and more.
Some of McDaniel’s past conducting opportunities include working with the Fort Bend Symphony Orchestra and Chorus (TX), the Cincinnati Conservatory of Music Opera Conducting Initiative, and participating in a conducting fellowship with the Allentown Symphony. Past operatic opportunities include various works of Bizet (CCM) and a production of Poulenc’s Dialogue of the Carmelites (EADO in Houston). A native of Houston, TX, Gregory received degrees from the University of North Texas in Orchestral Conducting and the University of Houston in Music Education.
The Colton Conducting Fellowship is made possible by a generous gift from Judith and Stewart Colton.