Listen | 4 Can’t-Miss Moments of Rachmaninoff’s Second Symphony
Rachmaninoff’s Second Symphony is, deservedly, remembered for its gorgeous third-movement theme. However, at almost an hour long, the entire symphony has a sea full of magnificent moments that are just as worthy of our memories. Have a listen to these four excerpts that show Rachmaninoff’s exceptional capabilities as an orchestrator and composer.
1. During the introduction, there is a string of notes played by the violins. It is a small melodic pattern played over a luscious chord progression. Listen to how the orchestra smoothly changes harmonies while the violins float on top.
2. There are some classic Rachmaninoff “Russian-roots” moments throughout this symphony, particularly in the second movement. Rachmaninoff scores a little tune for the flute, oboe and glockenspiel (percussive bell instrument) in unison while the strings pluck chords under them. The “strumming” strings are like a folk accompaniment to the tune. The sound is at home in the Russian symphonic literature but, of course, recognizable as Rachmaninoff’s own style.
3. Towards the end of the last movement, Rachmaninoff reintroduces a march theme. He weaves in quick ascending motives around the theme, played like small voices in conversation by the strings and woodwinds. The march theme is recited by the brass—strong and steady, like a dirge powering through the chattering motives. It is heavy, but the ascending flurries of scales that surround the theme keep the brilliantly orchestrated music moving upwards.
4. And the beloved third movement—the music speaks for itself better than any words ever could ...
Once more, with (more) feeling...
You do not want to miss this gorgeous piece during our Blockbuster All-Orchestral Season Finale June 6–9!
Post by Michael Rosin
Blockbuster All-Orchestral Season Finale
2018–19 Season
XIAN ZHANG conductor
NEW JERSEY SYMPHONY ORCHESTRA
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MENDELSSOHN Selections from A Midsummer Night’s Dream
Whimsical, sparkling, emotional—was more joyous music ever put to paper? Closes with the famous Wedding March, which in its full orchestral form is a marvel.
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RACHMANINOFF Symphony No. 2
The superlatives rack up when describing this glorious work: stunning, titanic, sweeping—even sweetly intimate in spots. A perfect conclusion to the season.