Beethoven’s Ninth Symphony with Xian Zhang
New Jersey Symphony Classical
Xian Zhang conductor
Gregory D. McDaniel conductor
Steven Banks saxophone
Felicia Moore soprano
Kelley O’Connor mezzo-soprano
Issachah Savage tenor
Reginald Smith Jr. baritone
Montclair State University Chorale | Heather J. Buchanan, director
New Jersey Symphony
- Pytor Ilyich Tchaikovsky Polonaise from Eugene Onegin
A lavish ball scene, the dashing hero and heroine twirling in splendor—a fun, festive dance lifted from Tchaikovsky’s opera.
- Billy Childs Diaspora
Inspired by Maya Angelou and other poets, Childs’ new concerto was written for the amazing Steven Banks, who says the music “follows the trajectory of the Black experience from Africa before slave trade to now, going forward in hope.”
- Ludwig van Beethoven Symphony No. 9, “Choral”
The sheer volcanic power of Beethoven’s music makes the Ninth’s message soar. “Brotherhood! Joy!”—our world needs these clarion calls now more than ever.
Performed in Newark and New Brunswick
Beethoven’s Ninth Symphony with Xian Zhang
New Jersey Symphony Classical
Xian Zhang conductor
Gregory D. McDaniel conductor
Steven Banks saxophone
Felicia Moore soprano
Kelley O’Connor mezzo-soprano
Issachah Savage tenor
Reginald Smith Jr. baritone
Montclair State University Chorale | Heather J. Buchanan, director
New Jersey Symphony
- Pytor Ilyich Tchaikovsky Polonaise from Eugene Onegin
A lavish ball scene, the dashing hero and heroine twirling in splendor—a fun, festive dance lifted from Tchaikovsky’s opera.
- Billy Childs Diaspora
Inspired by Maya Angelou and other poets, Childs’ new concerto was written for the amazing Steven Banks, who says the music “follows the trajectory of the Black experience from Africa before slave trade to now, going forward in hope.”
- Ludwig van Beethoven Symphony No. 9, “Choral”
The sheer volcanic power of Beethoven’s music makes the Ninth’s message soar. “Brotherhood! Joy!”—our world needs these clarion calls now more than ever.
Performed in Newark and New Brunswick
Beethoven’s Ninth Symphony with Xian Zhang
New Jersey Symphony Classical
Xian Zhang conductor
Gregory D. McDaniel conductor
Steven Banks saxophone
Felicia Moore soprano
Kelley O’Connor mezzo-soprano
Issachah Savage tenor
Reginald Smith Jr. baritone
Montclair State University Chorale | Heather J. Buchanan, director
New Jersey Symphony
- Pytor Ilyich Tchaikovsky Polonaise from Eugene Onegin
A lavish ball scene, the dashing hero and heroine twirling in splendor—a fun, festive dance lifted from Tchaikovsky’s opera.
- Billy Childs Diaspora
Inspired by Maya Angelou and other poets, Childs’ new concerto was written for the amazing Steven Banks, who says the music “follows the trajectory of the Black experience from Africa before slave trade to now, going forward in hope.”
- Ludwig van Beethoven Symphony No. 9, “Choral”
The sheer volcanic power of Beethoven’s music makes the Ninth’s message soar. “Brotherhood! Joy!”—our world needs these clarion calls now more than ever.
Performed in Newark and New Brunswick
Beethoven’s Ninth Symphony with Xian Zhang
New Jersey Symphony Classical
Xian Zhang conductor
Gregory D. McDaniel conductor
Steven Banks saxophone
Felicia Moore soprano
Kelley O’Connor mezzo-soprano
Issachah Savage tenor
Reginald Smith Jr. baritone
Montclair State University Chorale | Heather J. Buchanan, director
New Jersey Symphony
- Pytor Ilyich Tchaikovsky Polonaise from Eugene Onegin
A lavish ball scene, the dashing hero and heroine twirling in splendor—a fun, festive dance lifted from Tchaikovsky’s opera.
- Billy Childs Diaspora
Inspired by Maya Angelou and other poets, Childs’ new concerto was written for the amazing Steven Banks, who says the music “follows the trajectory of the Black experience from Africa before slave trade to now, going forward in hope.”
- Ludwig van Beethoven Symphony No. 9, “Choral”
The sheer volcanic power of Beethoven’s music makes the Ninth’s message soar. “Brotherhood! Joy!”—our world needs these clarion calls now more than ever.
Performed in Newark and New Brunswick
Star Wars: The Force Awakens in Concert
New Jersey Symphony at the Movies
Constantine Kitsopoulos conductor
New Jersey Symphony
Thirty years after the defeat of the Empire, Luke Skywalker has vanished, and a new threat has risen: The First Order, led by the mysterious Supreme Leader Snoke and his enforcer, Kylo Ren. General Leia Organa’s military force, the Resistance—and unlikely heroes brought together by fate—are the galaxy’s only hope. Experience the complete film with the New Jersey Symphony performing John Williams’ thrilling score live.
Performed in Red Bank, Morristown, Newark and New Brunswick
Star Wars: The Force Awakens in Concert
New Jersey Symphony at the Movies
Constantine Kitsopoulos conductor
New Jersey Symphony
Thirty years after the defeat of the Empire, Luke Skywalker has vanished, and a new threat has risen: The First Order, led by the mysterious Supreme Leader Snoke and his enforcer, Kylo Ren. General Leia Organa’s military force, the Resistance—and unlikely heroes brought together by fate—are the galaxy’s only hope. Experience the complete film with the New Jersey Symphony performing John Williams’ thrilling score live.
Performed in Red Bank, Morristown, Newark and New Brunswick
Star Wars: The Force Awakens in Concert
New Jersey Symphony at the Movies
Constantine Kitsopoulos conductor
New Jersey Symphony
Thirty years after the defeat of the Empire, Luke Skywalker has vanished, and a new threat has risen: The First Order, led by the mysterious Supreme Leader Snoke and his enforcer, Kylo Ren. General Leia Organa’s military force, the Resistance—and unlikely heroes brought together by fate—are the galaxy’s only hope. Experience the complete film with the New Jersey Symphony performing John Williams’ thrilling score live.
Performed in Red Bank, Morristown, Newark and New Brunswick
Star Wars: The Force Awakens in Concert
New Jersey Symphony at the Movies
Constantine Kitsopoulos conductor
New Jersey Symphony
Thirty years after the defeat of the Empire, Luke Skywalker has vanished, and a new threat has risen: The First Order, led by the mysterious Supreme Leader Snoke and his enforcer, Kylo Ren. General Leia Organa’s military force, the Resistance—and unlikely heroes brought together by fate—are the galaxy’s only hope. Experience the complete film with the New Jersey Symphony performing John Williams’ thrilling score live.
Performed in Red Bank, Morristown, Newark and New Brunswick
Youth Orchestra Spring Concert
Two performances in one day! | Youth Orchestra Showcase
Diego García artistic director, The Anna P. Drago Chair
Terrence Thornhill associate conductor & curriculum specialist
New Jersey Symphony Youth Orchestra, The Resident Youth Orchestra of the John J. Cali School of Music at Montclair State University
The New Jersey Symphony Youth Orchestra will showcase 300 talented young musicians across two performances as part of their annual Spring Concert on Sunday, April 27 in Newark. Experience vibrant performances and celebrate the achievements of the 2024–25 season, including a special tribute to the graduating seniors.
Performed in Newark
Youth Orchestra Spring Concert
Two performances in one day! | Youth Orchestra Showcase
Diego García artistic director, The Anna P. Drago Chair
Terrence Thornhill associate conductor & curriculum specialist
New Jersey Symphony Youth Orchestra, The Resident Youth Orchestra of the John J. Cali School of Music at Montclair State University
The New Jersey Symphony Youth Orchestra will showcase 300 talented young musicians across two performances as part of their annual Spring Concert on Sunday, April 27 in Newark. Experience vibrant performances and celebrate the achievements of the 2024–25 season, including a special tribute to the graduating seniors.
Performed in Newark
Haydn’s Creation
New Jersey Symphony at the Cathedral
John J. Miller conductor
Lorraine Ernest soprano
Theodore Chletsos tenor
Jorge Ocasio bass-baritone
The Archdiocesan Festival Choir
The Cathedral Choir
New Jersey Symphony
The Cathedral Basilica of the Sacred Heart in Newark, NJ invites all to experience the music of Franz Joseph Haydn’s The Creation, featuring The Archdiocesan Festival Choir, The Cathedral Choir, vocal soloists and the New Jersey Symphony with John J. Miller conducting.
Performed in Newark
The Music of Led Zeppelin
Featuring hits like “Kashmir,” “Black Dog,” “Stairway to Heaven” and more!
Brent Havens conductor & arranger
Windborne Music Group
Justin Sargent vocalist
New Jersey Symphony
The New Jersey Symphony and Windborne Music Group bridge the gulf between classical music and rock n’ roll to present The Music of Led Zeppelin, celebrating the best of the legendary classic rock group. Amplified with full-on guitars and screaming vocals, sing and dance along as Led Zeppelin’s “sheer blast and power” is put on full display riff for riff with new musical colors. Timeless hits like “Kashmir,” “Black Dog,” “Stairway to Heaven” and more will get you on your feet in this special concert you don’t want to miss!
Performed in Englewood and New Brunswick
The Music of Led Zeppelin
Featuring hits like “Kashmir,” “Black Dog,” “Stairway to Heaven” and more!
Brent Havens conductor & arranger
Windborne Music Group
Justin Sargent vocalist
New Jersey Symphony
The New Jersey Symphony and Windborne Music Group bridge the gulf between classical music and rock n’ roll to present The Music of Led Zeppelin, celebrating the best of the legendary classic rock group. Amplified with full-on guitars and screaming vocals, sing and dance along as Led Zeppelin’s “sheer blast and power” is put on full display riff for riff with new musical colors. Timeless hits like “Kashmir,” “Black Dog,” “Stairway to Heaven” and more will get you on your feet in this special concert you don’t want to miss!
Performed in Englewood and New Brunswick
Xian Conducts Mozart
New Jersey Symphony musicians take the spotlight!
Xian Zhang conductor
Eric Wyrick violin
Francine Storck violin
New Jersey Symphony
- Wolfgang Amadeus Mozart Eine kleine Nachtmusik
Mozart may have tossed this off for a Viennese party one evening, but there is no piece more charming and beguiling than his “a little night music.”
- Johann Sebastian Bach Double Concerto for Two Violins
The spotlight’s on our two superstar principal violins, Eric Wyrick and Francine Storck, in perhaps the most beautiful duet ever created.
- Michael Abels Delights and Dances
Delight in this imaginative, bluesy work for solo string quartet and string orchestra, with New Jersey Symphony’s own musicians taking the spotlight in a series of captivating solos.
- Wolfgang Amadeus Mozart Symphony No. 35, “Haffner”
Mozart had intended to jot down a little occasional piece, but brilliant music kept pouring out of his pen until he’d made a dazzling full-fledged symphony, one of his best.
Performed in Princeton and Newark
Discover Mozart & Bach
New Jersey Symphony Family Concert:
A Music Discovery Zone
Xian Zhang conductor
Gregory D. McDaniel conductor
Bill Barclay host
Eric Wyrick violin
Francine Storck violin
Annamaria Witek cello
New Jersey Symphony
Discover what makes a live orchestra concert so special. We’ll take a deep dive into works by Mozart, as well as J.S. Bach’s incredibly famous Double Concerto for Two Violins. Also featured on the program is 2024 Henry Lewis Concerto Competition winner, cellist Annamaria Witek. Inspired by Leonard Bernstein’s masterful way of putting young audiences at the center of music-making, this interactive concert will feature inside tips, listening cues and fun facts that make for the perfect Saturday afternoon family outing!
- Wolfgang Amadeus Mozart Selection from Eine kleine Nachtmusik
- Camille Saint-Saëns Selection from Cello Concerto No. 1
- Johann Sebastian Bach Double Concerto for Two Violins
- Wolfgang Amadeus Mozart Symphony No. 35, “Haffner”
Performed in Newark
Xian Conducts Mozart
New Jersey Symphony musicians take the spotlight!
Xian Zhang conductor
Eric Wyrick violin
Francine Storck violin
New Jersey Symphony
- Wolfgang Amadeus Mozart Eine kleine Nachtmusik
Mozart may have tossed this off for a Viennese party one evening, but there is no piece more charming and beguiling than his “a little night music.”
- Johann Sebastian Bach Double Concerto for Two Violins
The spotlight’s on our two superstar principal violins, Eric Wyrick and Francine Storck, in perhaps the most beautiful duet ever created.
- Michael Abels Delights and Dances
Delight in this imaginative, bluesy work for solo string quartet and string orchestra, with New Jersey Symphony’s own musicians taking the spotlight in a series of captivating solos.
- Wolfgang Amadeus Mozart Symphony No. 35, “Haffner”
Mozart had intended to jot down a little occasional piece, but brilliant music kept pouring out of his pen until he’d made a dazzling full-fledged symphony, one of his best.
Performed in Princeton and Newark
Xian Conducts Mozart
New Jersey Symphony musicians take the spotlight!
Xian Zhang conductor
Eric Wyrick violin
Francine Storck violin
New Jersey Symphony
- Wolfgang Amadeus Mozart Eine kleine Nachtmusik
Mozart may have tossed this off for a Viennese party one evening, but there is no piece more charming and beguiling than his “a little night music.”
- Johann Sebastian Bach Double Concerto for Two Violins
The spotlight’s on our two superstar principal violins, Eric Wyrick and Francine Storck, in perhaps the most beautiful duet ever created.
- Michael Abels Delights and Dances
Delight in this imaginative, bluesy work for solo string quartet and string orchestra, with New Jersey Symphony’s own musicians taking the spotlight in a series of captivating solos.
- Wolfgang Amadeus Mozart Symphony No. 35, “Haffner”
Mozart had intended to jot down a little occasional piece, but brilliant music kept pouring out of his pen until he’d made a dazzling full-fledged symphony, one of his best.
Performed in Princeton and Newark
2025 Spring into Music Gala & Auction
Gala Reception and Dinner, Concert and Auction
Join the New Jersey Symphony and an array of cultural, social, business and civic leaders for an unforgettable evening of fine dining and entertainment as we honor former Governor Thomas H. Kean and his dedication to the performing arts industry in New Jersey. The event will feature a lavish cocktail reception with a few dazzling surprises, a dinner with a private performance featuring members of the New Jersey Symphony and students of the New Jersey Symphony Youth Orchestra and a silent auction.
Presented in West Orange
Rachmaninoff and Shostakovich
Season Finale | New Jersey Symphony Classical
Xian Zhang conductor
Conrad Tao piano
New Jersey Symphony
- Sergei Rachmaninoff Piano Concerto No. 2
No piece has introduced and won more people to classical music than Rachmaninoff’s magnificent work for piano and orchestra.
- Dmitri Shostakovich Symphony No. 5
When Shostakovich’s Fifth received a half-hour standing ovation at its premiere, the world knew that a classic was born—and it remains a landmark work for the virtuoso orchestra.
Performed in Morristown, Princeton, Red Bank and Newark
Rachmaninoff and Shostakovich
Season Finale | New Jersey Symphony Classical
Xian Zhang conductor
Conrad Tao piano
New Jersey Symphony
- Sergei Rachmaninoff Piano Concerto No. 2
No piece has introduced and won more people to classical music than Rachmaninoff’s magnificent work for piano and orchestra.
- Dmitri Shostakovich Symphony No. 5
When Shostakovich’s Fifth received a half-hour standing ovation at its premiere, the world knew that a classic was born—and it remains a landmark work for the virtuoso orchestra.
Performed in Morristown, Princeton, Red Bank and Newark
Rachmaninoff and Shostakovich
Season Finale | New Jersey Symphony Classical
Xian Zhang conductor
Conrad Tao piano
New Jersey Symphony
- Sergei Rachmaninoff Piano Concerto No. 2
No piece has introduced and won more people to classical music than Rachmaninoff’s magnificent work for piano and orchestra.
- Dmitri Shostakovich Symphony No. 5
When Shostakovich’s Fifth received a half-hour standing ovation at its premiere, the world knew that a classic was born—and it remains a landmark work for the virtuoso orchestra.
Performed in Morristown, Princeton, Red Bank and Newark
Rachmaninoff and Shostakovich
Season Finale | New Jersey Symphony Classical
Xian Zhang conductor
Conrad Tao piano
New Jersey Symphony
- Sergei Rachmaninoff Piano Concerto No. 2
No piece has introduced and won more people to classical music than Rachmaninoff’s magnificent work for piano and orchestra.
- Dmitri Shostakovich Symphony No. 5
When Shostakovich’s Fifth received a half-hour standing ovation at its premiere, the world knew that a classic was born—and it remains a landmark work for the virtuoso orchestra.
Performed in Morristown, Princeton, Red Bank and Newark
How to Train Your Dragon in Concert
New Jersey Symphony at the Movies
Lawrence Loh conductor
New Jersey Symphony
DreamWorks’ How to Train Your Dragon is a captivating and original story about a young Viking named Hiccup, who defies tradition when he befriends one of his deadliest foes—a ferocious dragon he calls Toothless. Together, these unlikely heroes must fight against all odds to save both their worlds. Featuring John Powell’s Oscar-nominated score performed live to picture, How to Train Your Dragon in Concert is a thrilling experience for all ages.
Performed in Morristown, New Brunswick and Newark
How to Train Your Dragon in Concert
New Jersey Symphony at the Movies
Lawrence Loh conductor
New Jersey Symphony
DreamWorks’ How to Train Your Dragon is a captivating and original story about a young Viking named Hiccup, who defies tradition when he befriends one of his deadliest foes—a ferocious dragon he calls Toothless. Together, these unlikely heroes must fight against all odds to save both their worlds. Featuring John Powell’s Oscar-nominated score performed live to picture, How to Train Your Dragon in Concert is a thrilling experience for all ages.
Performed in Morristown, New Brunswick and Newark
How to Train Your Dragon in Concert
New Jersey Symphony at the Movies
Lawrence Loh conductor
New Jersey Symphony
DreamWorks’ How to Train Your Dragon is a captivating and original story about a young Viking named Hiccup, who defies tradition when he befriends one of his deadliest foes—a ferocious dragon he calls Toothless. Together, these unlikely heroes must fight against all odds to save both their worlds. Featuring John Powell’s Oscar-nominated score performed live to picture, How to Train Your Dragon in Concert is a thrilling experience for all ages.
Performed in Morristown, New Brunswick and Newark
TwoSet Violin with the New Jersey Symphony
Part of the TwoSet Violin World Tour
TwoSet Violin
New Jersey Symphony
World-famous YouTube classical music comedy duo TwoSet Violin take the stage with the New Jersey Symphony for a wide-ranging night of musical fun! Violinists Eddy Chen and Brett Yang will take their unique brand of earnest and silly musical comedy to a new level in this performance, with the backing of a full symphony orchestra.
Performed in Newark
Opening Night Celebration
Dinner Prelude, Concert and After-Party
You are invited to the New Jersey Symphony’s 2025 Season Opening Celebration honoring Xian Zhang’s 10th season as Music Director. Guests will enjoy an elegant dinner prelude, the season opening concert featuring Music Director Xian Zhang, guest artist Joyce Yang and the New Jersey Symphony and a dessert after-party.
Presented in Newark
Tchaikovsky’s Piano Concerto No. 1
Opening Weekend | New Jersey Symphony Classical
Xian Zhang conductor
Joyce Yang piano
New Jersey Symphony
- Jessie Montgomery Hymn for Everyone
We launch the season with Montgomery’s open-arms musical welcome. In her Hymn for Everyone you’ll hear an echo of “Lift Every Voice and Sing,” often called the Black National Anthem.
- Pyotr Ilyich Tchaikovsky Piano Concerto No. 1
Slammed as a flop at its premiere, Tchaikovsky more than had the last laugh: here’s jaw-dropping virtuosity for the soloist, sweeping melodies for the orchestra, and an audience favorite around the world.
- Antonín Dvořák Symphony No. 8
Dvořák’s pen might as well have been a paint brush. In his tuneful Eighth you can practically see autumn’s most vivid colors and the heart-melting glow of an October sunset.
Performed in Newark and Red Bank
Tchaikovsky’s Piano Concerto No. 1
Opening Weekend | New Jersey Symphony Classical
Xian Zhang conductor
Joyce Yang piano
New Jersey Symphony
- Jessie Montgomery Hymn for Everyone
We launch the season with Montgomery’s open-arms musical welcome. In her Hymn for Everyone you’ll hear an echo of “Lift Every Voice and Sing,” often called the Black National Anthem.
- Pyotr Ilyich Tchaikovsky Piano Concerto No. 1
Slammed as a flop at its premiere, Tchaikovsky more than had the last laugh: here’s jaw-dropping virtuosity for the soloist, sweeping melodies for the orchestra, and an audience favorite around the world.
- Antonín Dvořák Symphony No. 8
Dvořák’s pen might as well have been a paint brush. In his tuneful Eighth you can practically see autumn’s most vivid colors and the heart-melting glow of an October sunset.
Performed in Newark and Red Bank
Tchaikovsky’s Piano Concerto No. 1
Opening Weekend | New Jersey Symphony Classical
Xian Zhang conductor
Joyce Yang piano
New Jersey Symphony
- Jessie Montgomery Hymn for Everyone
We launch the season with Montgomery’s open-arms musical welcome. In her Hymn for Everyone you’ll hear an echo of “Lift Every Voice and Sing,” often called the Black National Anthem.
- Pyotr Ilyich Tchaikovsky Piano Concerto No. 1
Slammed as a flop at its premiere, Tchaikovsky more than had the last laugh: here’s jaw-dropping virtuosity for the soloist, sweeping melodies for the orchestra, and an audience favorite around the world.
- Antonín Dvořák Symphony No. 8
Dvořák’s pen might as well have been a paint brush. In his tuneful Eighth you can practically see autumn’s most vivid colors and the heart-melting glow of an October sunset.
Performed in Newark and Red Bank
Disney’s Fantasia in Concert
New Jersey Symphony at the Movies
Constantine Kitsopoulos conductor
New Jersey Symphony
Experience Disney’s groundbreaking marriage of symphonic music and animation, Fantasia. Beloved repertoire from the original 1940 version and Fantasia 2000, including The Sorcerer’s Apprentice, Beethoven’s Fifth Symphony, and The Nutcracker Suite, will be performed by the New Jersey Symphony while Disney’s stunning footage is shown on the big screen. Enjoy iconic moments and childhood favorites like never before!
Performed in Morristown, Red Bank and New Brunswick
Disney’s Fantasia in Concert
New Jersey Symphony at the Movies
Constantine Kitsopoulos conductor
New Jersey Symphony
Experience Disney’s groundbreaking marriage of symphonic music and animation, Fantasia. Beloved repertoire from the original 1940 version and Fantasia 2000, including The Sorcerer’s Apprentice, Beethoven’s Fifth Symphony, and The Nutcracker Suite, will be performed by the New Jersey Symphony while Disney’s stunning footage is shown on the big screen. Enjoy iconic moments and childhood favorites like never before!
Performed in Morristown, Red Bank and New Brunswick
Disney’s Fantasia in Concert
New Jersey Symphony at the Movies
Constantine Kitsopoulos conductor
New Jersey Symphony
Experience Disney’s groundbreaking marriage of symphonic music and animation, Fantasia. Beloved repertoire from the original 1940 version and Fantasia 2000, including The Sorcerer’s Apprentice, Beethoven’s Fifth Symphony, and The Nutcracker Suite, will be performed by the New Jersey Symphony while Disney’s stunning footage is shown on the big screen. Enjoy iconic moments and childhood favorites like never before!
Performed in Morristown, Red Bank and New Brunswick
Rhapsody in Blue
Plus works by Florence Price & Carlos Simon!
Tito Muñoz conductor
Michelle Cann piano
New Jersey Symphony
- Florence Price Piano Concerto in One Movement
An American genius, Florence Price mixes luscious lyricism with ragtime stomp. This recently unearthed gem won Cann—the leading interpreter of Price’s piano music—a 2023 GRAMMY.
- George Gershwin Rhapsody in Blue
United Airlines knows a good tune when it hears one, and that melody is the heartbeat of Gershwin’s classic. But not before the famous swooping clarinet solo gets this piece of the Roaring Twenties underway.
- Carlos Simon Zodiac (Northeast Premiere, New Jersey Symphony Co-Commission)
Carlos Simon is one of America’s leading contemporary composers, and in his latest music, a proud co-commission of the New Jersey Symphony, Simon gives voice to all 12 zodiac signs—the music at turns fiery, ethereal, and soaring.
- Aaron Copland Suite from Billy the Kid
Cowboy songs, folk tunes, and a visionary composer—all the ingredients that made Copland’s wild-west ballet a hit in the ‘30s and a favorite still.
Performed in Newark, Princeton and New Brunswick
Rhapsody in Blue
Plus works by Florence Price & Carlos Simon!
Tito Muñoz conductor
Michelle Cann piano
New Jersey Symphony
- Florence Price Piano Concerto in One Movement
An American genius, Florence Price mixes luscious lyricism with ragtime stomp. This recently unearthed gem won Cann—the leading interpreter of Price’s piano music—a 2023 GRAMMY.
- George Gershwin Rhapsody in Blue
United Airlines knows a good tune when it hears one, and that melody is the heartbeat of Gershwin’s classic. But not before the famous swooping clarinet solo gets this piece of the Roaring Twenties underway.
- Carlos Simon Zodiac (Northeast Premiere, New Jersey Symphony Co-Commission)
Carlos Simon is one of America’s leading contemporary composers, and in his latest music, a proud co-commission of the New Jersey Symphony, Simon gives voice to all 12 zodiac signs—the music at turns fiery, ethereal, and soaring.
- Aaron Copland Suite from Billy the Kid
Cowboy songs, folk tunes, and a visionary composer—all the ingredients that made Copland’s wild-west ballet a hit in the ‘30s and a favorite still.
Performed in Newark, Princeton and New Brunswick
Discover Rhapsody
in Blue
New Jersey Symphony Family Concert
Tito Muñoz conductor
Michelle Cann piano
New Jersey Symphony
Discover what makes a live orchestra concert so special. We’ll take a deep dive into one of the greatest American piano concertos, Gershwin’s Rhapsody in Blue, followed by Copland’s lively Suite from Billy the Kid.
Performed in Newark
Rhapsody in Blue
Plus works by Florence Price & Carlos Simon!
Tito Muñoz conductor
Michelle Cann piano
New Jersey Symphony
- Florence Price Piano Concerto in One Movement
An American genius, Florence Price mixes luscious lyricism with ragtime stomp. This recently unearthed gem won Cann—the leading interpreter of Price’s piano music—a 2023 GRAMMY.
- George Gershwin Rhapsody in Blue
United Airlines knows a good tune when it hears one, and that melody is the heartbeat of Gershwin’s classic. But not before the famous swooping clarinet solo gets this piece of the Roaring Twenties underway.
- Carlos Simon Zodiac (Northeast Premiere, New Jersey Symphony Co-Commission)
Carlos Simon is one of America’s leading contemporary composers, and in his latest music, a proud co-commission of the New Jersey Symphony, Simon gives voice to all 12 zodiac signs—the music at turns fiery, ethereal, and soaring.
- Aaron Copland Suite from Billy the Kid
Cowboy songs, folk tunes, and a visionary composer—all the ingredients that made Copland’s wild-west ballet a hit in the ‘30s and a favorite still.
Performed in Newark, Princeton and New Brunswick
Rhapsody in Blue
Plus works by Florence Price & Carlos Simon!
Tito Muñoz conductor
Michelle Cann piano
New Jersey Symphony
- Florence Price Piano Concerto in One Movement
An American genius, Florence Price mixes luscious lyricism with ragtime stomp. This recently unearthed gem won Cann—the leading interpreter of Price’s piano music—a 2023 GRAMMY.
- George Gershwin Rhapsody in Blue
United Airlines knows a good tune when it hears one, and that melody is the heartbeat of Gershwin’s classic. But not before the famous swooping clarinet solo gets this piece of the Roaring Twenties underway.
- Carlos Simon Zodiac (Northeast Premiere, New Jersey Symphony Co-Commission)
Carlos Simon is one of America’s leading contemporary composers, and in his latest music, a proud co-commission of the New Jersey Symphony, Simon gives voice to all 12 zodiac signs—the music at turns fiery, ethereal, and soaring.
- Aaron Copland Suite from Billy the Kid
Cowboy songs, folk tunes, and a visionary composer—all the ingredients that made Copland’s wild-west ballet a hit in the ‘30s and a favorite still.
Performed in Newark, Princeton and New Brunswick
Elf in Concert
New Jersey Symphony at the Movies
Conner Gray Covington conductor
New Jersey Symphony
Buddy was accidentally transported to the North Pole as a toddler and raised to adulthood among Santa’s elves. Unable to shake the feeling that he doesn’t fit in, the adult Buddy travels to New York, in full elf uniform, in search of his real father. This holiday season, relive this heartwarming holiday classic on a giant screen as every note of John Debney’s wonderful score is played live to picture in: Elf in Concert!
Performed in Newark and Red Bank
Elf in Concert
New Jersey Symphony at the Movies
Conner Gray Covington conductor
New Jersey Symphony
Buddy was accidentally transported to the North Pole as a toddler and raised to adulthood among Santa’s elves. Unable to shake the feeling that he doesn’t fit in, the adult Buddy travels to New York, in full elf uniform, in search of his real father. This holiday season, relive this heartwarming holiday classic on a giant screen as every note of John Debney’s wonderful score is played live to picture in: Elf in Concert!
Performed in Newark and Red Bank
Handel’s Messiah
New Jersey Symphony Holiday Tradition
Anthony Parnther conductor
Caitlin Gotimer soprano
Maria Dominique Lopez mezzo-soprano
Orson Van Gay II tenor
Shyheim Selvan Hinnant bass-baritone
Montclair State University Singers | Heather J. Buchanan, director
New Jersey Symphony
Handel’s Messiah embraces every emotion, from the first voice singing “Comfort ye,” inviting you to step aside from the season’s frenzy, to the riveting Amen Chorus at the end. In between are moments of transcendence, loss, and deeply-felt awe—what makes a classic a classic.
Performed in Princeton and Newark
Handel’s Messiah
New Jersey Symphony Holiday Tradition
Anthony Parnther conductor
Caitlin Gotimer soprano
Maria Dominique Lopez mezzo-soprano
Orson Van Gay II tenor
Shyheim Selvan Hinnant bass-baritone
Montclair State University Singers | Heather J. Buchanan, director
New Jersey Symphony
Handel’s Messiah embraces every emotion, from the first voice singing “Comfort ye,” inviting you to step aside from the season’s frenzy, to the riveting Amen Chorus at the end. In between are moments of transcendence, loss, and deeply-felt awe—what makes a classic a classic.
Performed in Princeton and Newark
Handel’s Messiah
New Jersey Symphony Holiday Tradition
Anthony Parnther conductor
Caitlin Gotimer soprano
Maria Dominique Lopez mezzo-soprano
Orson Van Gay II tenor
Shyheim Selvan Hinnant bass-baritone
Montclair State University Singers | Heather J. Buchanan, director
New Jersey Symphony
Handel’s Messiah embraces every emotion, from the first voice singing “Comfort ye,” inviting you to step aside from the season’s frenzy, to the riveting Amen Chorus at the end. In between are moments of transcendence, loss, and deeply-felt awe—what makes a classic a classic.
Performed in Princeton and Newark
Randall Goosby Returns
New Jersey Symphony Classical
Xian Zhang conductor
Randall Goosby violin
New Jersey Symphony
- Jean Sibelius Finlandia
Eight minutes that saved a nation. When Finland wrestled itself free from the Russian bear, Sibelius’ music was the Finns’ call to courage.
- Samuel Barber Violin Concerto
The most gorgeous violin concerto of the 20th century: the first two movements exquisitely touching, and the third a wild sprint for only the bravest of soloists.
- Pytor Ilyich Tchaikovsky Symphony No. 2, “Ukrainian”
Three Ukrainian folksongs were all Tchaikovsky needed for inspiration. From them, he spun his most joyful symphony.
Performed in New Brunswick, Princeton, Newark and Morristown
Randall Goosby Returns
New Jersey Symphony Classical
Xian Zhang conductor
Randall Goosby violin
New Jersey Symphony
- Jean Sibelius Finlandia
Eight minutes that saved a nation. When Finland wrestled itself free from the Russian bear, Sibelius’ music was the Finns’ call to courage.
- Samuel Barber Violin Concerto
The most gorgeous violin concerto of the 20th century: the first two movements exquisitely touching, and the third a wild sprint for only the bravest of soloists.
- Pytor Ilyich Tchaikovsky Symphony No. 2, “Ukrainian”
Three Ukrainian folksongs were all Tchaikovsky needed for inspiration. From them, he spun his most joyful symphony.
Performed in New Brunswick, Princeton, Newark and Morristown
Randall Goosby Returns
New Jersey Symphony Classical
Xian Zhang conductor
Randall Goosby violin
New Jersey Symphony
- Jean Sibelius Finlandia
Eight minutes that saved a nation. When Finland wrestled itself free from the Russian bear, Sibelius’ music was the Finns’ call to courage.
- Samuel Barber Violin Concerto
The most gorgeous violin concerto of the 20th century: the first two movements exquisitely touching, and the third a wild sprint for only the bravest of soloists.
- Pytor Ilyich Tchaikovsky Symphony No. 2, “Ukrainian”
Three Ukrainian folksongs were all Tchaikovsky needed for inspiration. From them, he spun his most joyful symphony.
Performed in New Brunswick, Princeton, Newark and Morristown
Randall Goosby Returns
New Jersey Symphony Classical
Xian Zhang conductor
Randall Goosby violin
New Jersey Symphony
- Jean Sibelius Finlandia
Eight minutes that saved a nation. When Finland wrestled itself free from the Russian bear, Sibelius’ music was the Finns’ call to courage.
- Samuel Barber Violin Concerto
The most gorgeous violin concerto of the 20th century: the first two movements exquisitely touching, and the third a wild sprint for only the bravest of soloists.
- Pytor Ilyich Tchaikovsky Symphony No. 2, “Ukrainian”
Three Ukrainian folksongs were all Tchaikovsky needed for inspiration. From them, he spun his most joyful symphony.
Performed in New Brunswick, Princeton, Newark and Morristown
Romeo & Juliet
Featuring The Shakespeare Theatre of New Jersey
Xian Zhang conductor
The Shakespeare Theatre of New Jersey
New Jersey Symphony
- Pytor Ilyich Tchaikovsky Romeo and Juliet Fantasy Overture
Tchaikovsky gives you all the passion and drama of Shakespeare’s two young lovers, as the New Jersey Symphony becomes a storyteller in real time.
- Sergei Prokofiev Selections from Romeo and Juliet
Considered too difficult, even undanceable at its unveiling, Prokofiev’s ballet with scene after scene of strikingly original music soon became the treasure of every ballet house the world over.
Performed in Newark and Red Bank
Romeo & Juliet
Featuring The Shakespeare Theatre of New Jersey
Xian Zhang conductor
The Shakespeare Theatre of New Jersey
New Jersey Symphony
- Pytor Ilyich Tchaikovsky Romeo and Juliet Fantasy Overture
Tchaikovsky gives you all the passion and drama of Shakespeare’s two young lovers, as the New Jersey Symphony becomes a storyteller in real time.
- Sergei Prokofiev Selections from Romeo and Juliet
Considered too difficult, even undanceable at its unveiling, Prokofiev’s ballet with scene after scene of strikingly original music soon became the treasure of every ballet house the world over.
Performed in Newark and Red Bank
Romeo & Juliet
Featuring The Shakespeare Theatre of New Jersey
Xian Zhang conductor
The Shakespeare Theatre of New Jersey
New Jersey Symphony
- Pytor Ilyich Tchaikovsky Romeo and Juliet Fantasy Overture
Tchaikovsky gives you all the passion and drama of Shakespeare’s two young lovers, as the New Jersey Symphony becomes a storyteller in real time.
- Sergei Prokofiev Selections from Romeo and Juliet
Considered too difficult, even undanceable at its unveiling, Prokofiev’s ballet with scene after scene of strikingly original music soon became the treasure of every ballet house the world over.
Performed in Newark and Red Bank
Romeo & Juliet
Featuring The Shakespeare Theatre of New Jersey
Xian Zhang conductor
The Shakespeare Theatre of New Jersey
New Jersey Symphony
- Pytor Ilyich Tchaikovsky Romeo and Juliet Fantasy Overture
Tchaikovsky gives you all the passion and drama of Shakespeare’s two young lovers, as the New Jersey Symphony becomes a storyteller in real time.
- Sergei Prokofiev Selections from Romeo and Juliet
Considered too difficult, even undanceable at its unveiling, Prokofiev’s ballet with scene after scene of strikingly original music soon became the treasure of every ballet house the world over.
Performed in Newark and Red Bank
2026 Lunar New Year Celebration
Celebration of the Year of the Horse
Sunny Xia conductor
Haochen Zhang piano
Peking University Alumni Chorus
New Jersey Symphony
Enjoy an evening of community and cultural exchange that is wonderful for families and children, as we celebrate the Year of the Horse. Seattle Symphony Associate Conductor Sunny Xia and Van Cliburn International Piano Competition Winner Haochen Zhang make their New Jersey Symphony debuts in this festive concert that celebrates music from East and West.
Performed in Newark
Beethoven’s Fifth Symphony
Time for Three Performs Contact
Markus Stenz conductor
Time for Three
Ranaan Meyer double bass | Nick Kendall violin | Charles Yang violin
New Jersey Symphony
- Richard Wagner Prelude to Act I of Lohengrin
It begins with the strings alone playing a whisperquiet passage of holy serenity. Soon the whole orchestra joins and builds in a full-throated cry. Wagner’s operatic stage is set for the arrival of the knight Lohengrin sent on a mission from God.
- Kevin Puts Contact
Time for Three, a self-described “classically trained garage band,” brings you the GRAMMY Award-winning concerto written for them by Pulitzer Prize-winning composer Kevin Puts. Created during the isolation of the early pandemic, Contact is “an expression of yearning for the fundamental need” of human connection.
- Ludwig van Beethoven Symphony No. 5
Four notes—dah, dah, dah, DAH—launched Beethoven’s Fifth in 1808 and have stamped all of western classical music since.
Performed in Morristown and Newark
Beethoven’s Fifth Symphony
Time for Three Performs Contact
Markus Stenz conductor
Time for Three
Ranaan Meyer double bass | Nick Kendall violin | Charles Yang violin
New Jersey Symphony
- Richard Wagner Prelude to Act I of Lohengrin
It begins with the strings alone playing a whisperquiet passage of holy serenity. Soon the whole orchestra joins and builds in a full-throated cry. Wagner’s operatic stage is set for the arrival of the knight Lohengrin sent on a mission from God.
- Kevin Puts Contact
Time for Three, a self-described “classically trained garage band,” brings you the GRAMMY Award-winning concerto written for them by Pulitzer Prize-winning composer Kevin Puts. Created during the isolation of the early pandemic, Contact is “an expression of yearning for the fundamental need” of human connection.
- Ludwig van Beethoven Symphony No. 5
Four notes—dah, dah, dah, DAH—launched Beethoven’s Fifth in 1808 and have stamped all of western classical music since.
Performed in Morristown and Newark
Beethoven’s Fifth Symphony
Time for Three Performs Contact
Markus Stenz conductor
Time for Three
Ranaan Meyer double bass | Nick Kendall violin | Charles Yang violin
New Jersey Symphony
- Richard Wagner Prelude to Act I of Lohengrin
It begins with the strings alone playing a whisperquiet passage of holy serenity. Soon the whole orchestra joins and builds in a full-throated cry. Wagner’s operatic stage is set for the arrival of the knight Lohengrin sent on a mission from God.
- Kevin Puts Contact
Time for Three, a self-described “classically trained garage band,” brings you the GRAMMY Award-winning concerto written for them by Pulitzer Prize-winning composer Kevin Puts. Created during the isolation of the early pandemic, Contact is “an expression of yearning for the fundamental need” of human connection.
- Ludwig van Beethoven Symphony No. 5
Four notes—dah, dah, dah, DAH—launched Beethoven’s Fifth in 1808 and have stamped all of western classical music since.
Performed in Morristown and Newark
Bartók’s Concerto
for Orchestra
New Jersey Symphony Classical
Ruth Reinhardt conductor
Eva Gevorgyan piano
New Jersey Symphony
- Béla Bartók Romanian Folk Dances
Informed by his numerous research trips across Hungary, this short and spry set of folk dances bursts with Transylvanian flavor and energy.
- Frédéric Chopin Piano Concerto No. 2
There are moments here that make time, and your breath, stand still. If ever you need evidence of the human spirit’s capacity for beauty, look to this remarkable creation of 20-year-old Chopin.
- Béla Bartók Concerto for Orchestra
Every section of the orchestra gets the spotlight to dazzling effect, and the Concerto’s last moments are some of the most thrilling in all classical music.
Performed in Newark, Princeton, Red Bank and New Brunswick
Bartók’s Concerto
for Orchestra
New Jersey Symphony Classical
Ruth Reinhardt conductor
Eva Gevorgyan piano
New Jersey Symphony
- Béla Bartók Romanian Folk Dances
Informed by his numerous research trips across Hungary, this short and spry set of folk dances bursts with Transylvanian flavor and energy.
- Frédéric Chopin Piano Concerto No. 2
There are moments here that make time, and your breath, stand still. If ever you need evidence of the human spirit’s capacity for beauty, look to this remarkable creation of 20-year-old Chopin.
- Béla Bartók Concerto for Orchestra
Every section of the orchestra gets the spotlight to dazzling effect, and the Concerto’s last moments are some of the most thrilling in all classical music.
Performed in Newark, Princeton, Red Bank and New Brunswick
Bartók’s Concerto
for Orchestra
New Jersey Symphony Classical
Ruth Reinhardt conductor
Eva Gevorgyan piano
New Jersey Symphony
- Béla Bartók Romanian Folk Dances
Informed by his numerous research trips across Hungary, this short and spry set of folk dances bursts with Transylvanian flavor and energy.
- Frédéric Chopin Piano Concerto No. 2
There are moments here that make time, and your breath, stand still. If ever you need evidence of the human spirit’s capacity for beauty, look to this remarkable creation of 20-year-old Chopin.
- Béla Bartók Concerto for Orchestra
Every section of the orchestra gets the spotlight to dazzling effect, and the Concerto’s last moments are some of the most thrilling in all classical music.
Performed in Newark, Princeton, Red Bank and New Brunswick
Bartók’s Concerto
for Orchestra
New Jersey Symphony Classical
Ruth Reinhardt conductor
Eva Gevorgyan piano
New Jersey Symphony
- Béla Bartók Romanian Folk Dances
Informed by his numerous research trips across Hungary, this short and spry set of folk dances bursts with Transylvanian flavor and energy.
- Frédéric Chopin Piano Concerto No. 2
There are moments here that make time, and your breath, stand still. If ever you need evidence of the human spirit’s capacity for beauty, look to this remarkable creation of 20-year-old Chopin.
- Béla Bartók Concerto for Orchestra
Every section of the orchestra gets the spotlight to dazzling effect, and the Concerto’s last moments are some of the most thrilling in all classical music.
Performed in Newark, Princeton, Red Bank and New Brunswick
Beethoven’s “Pastoral” Symphony
New Jersey Symphony Classical
Xian Zhang conductor
Juan Esteban Martinez clarinet
New Jersey Symphony
- Wolfgang Amadeus Mozart Divertimento in D Major, K. 136
The spotlight opens on the New Jersey Symphony’s virtuoso strings playing the sunniest music Mozart ever created.
- Wolfgang Amadeus Mozart Clarinet Concerto
Principal Clarinet Juan Esteban Martinez will shine in this sunny crown jewel of the clarinet repertoire, which was written for an earlier iteration of the modern clarinet.
- Ludwig van Beethoven Symphony No. 6, “Pastoral”
His greatest inspiration came from long walks in nature, score paper, and pencil stuffed in his pocket. Beethoven takes us with him in his Sixth, his music full of open-air melodies, and the drama of a ferocious storm.
Performed in Newark and Morristown
Discover Beethoven’s “Pastoral” Symphony
New Jersey Symphony Family Concert
Xian Zhang conductor
New Jersey Symphony
Discover the storytelling power of classical music! Beethoven’s “Pastoral” Symphony was one of his only works that depicts very specific scenes and storylines, which we’ll dive into measure by measure in this concert.
Performed in Newark
Beethoven’s “Pastoral” Symphony
New Jersey Symphony Classical
Xian Zhang conductor
Juan Esteban Martinez clarinet
New Jersey Symphony
- Wolfgang Amadeus Mozart Divertimento in D Major, K. 136
The spotlight opens on the New Jersey Symphony’s virtuoso strings playing the sunniest music Mozart ever created.
- Wolfgang Amadeus Mozart Clarinet Concerto
Principal Clarinet Juan Esteban Martinez will shine in this sunny crown jewel of the clarinet repertoire, which was written for an earlier iteration of the modern clarinet.
- Ludwig van Beethoven Symphony No. 6, “Pastoral”
His greatest inspiration came from long walks in nature, score paper, and pencil stuffed in his pocket. Beethoven takes us with him in his Sixth, his music full of open-air melodies, and the drama of a ferocious storm.
Performed in Newark and Morristown
Beethoven’s “Pastoral” Symphony
New Jersey Symphony Classical
Xian Zhang conductor
Juan Esteban Martinez clarinet
New Jersey Symphony
- Wolfgang Amadeus Mozart Divertimento in D Major, K. 136
The spotlight opens on the New Jersey Symphony’s virtuoso strings playing the sunniest music Mozart ever created.
- Wolfgang Amadeus Mozart Clarinet Concerto
Principal Clarinet Juan Esteban Martinez will shine in this sunny crown jewel of the clarinet repertoire, which was written for an earlier iteration of the modern clarinet.
- Ludwig van Beethoven Symphony No. 6, “Pastoral”
His greatest inspiration came from long walks in nature, score paper, and pencil stuffed in his pocket. Beethoven takes us with him in his Sixth, his music full of open-air melodies, and the drama of a ferocious storm.
Performed in Newark and Morristown
Xian Conducts
Prokofiev & Strauss
New Jersey Symphony Classical
Xian Zhang conductor
Francesca Dego violin
New Jersey Symphony
- Anton Webern Im Sommerwind
A lovingly lush hymn to the charms of summer, written just before Webern helped stand traditional classical music on its head.
- Sergei Prokofiev Violin Concerto No. 2
It opens with a wisp of melancholy Russian folksong and closes with castanets and Spanish flair, creating fireworks for a world-class violinist and orchestra.
- Richard Strauss Ein Heldenleben
Orchestras love this ode to “A Hero’s Life” for its bold, voluptuous sweep, created by Strauss as a musical pat on his own back.
Performed in Newark and Red Bank
Xian Conducts
Prokofiev & Strauss
New Jersey Symphony Classical
Xian Zhang conductor
Francesca Dego violin
New Jersey Symphony
- Anton Webern Im Sommerwind
A lovingly lush hymn to the charms of summer, written just before Webern helped stand traditional classical music on its head.
- Sergei Prokofiev Violin Concerto No. 2
It opens with a wisp of melancholy Russian folksong and closes with castanets and Spanish flair, creating fireworks for a world-class violinist and orchestra.
- Richard Strauss Ein Heldenleben
Orchestras love this ode to “A Hero’s Life” for its bold, voluptuous sweep, created by Strauss as a musical pat on his own back.
Performed in Newark and Red Bank
Xian Conducts
Prokofiev & Strauss
New Jersey Symphony Classical
Xian Zhang conductor
Francesca Dego violin
New Jersey Symphony
- Anton Webern Im Sommerwind
A lovingly lush hymn to the charms of summer, written just before Webern helped stand traditional classical music on its head.
- Sergei Prokofiev Violin Concerto No. 2
It opens with a wisp of melancholy Russian folksong and closes with castanets and Spanish flair, creating fireworks for a world-class violinist and orchestra.
- Richard Strauss Ein Heldenleben
Orchestras love this ode to “A Hero’s Life” for its bold, voluptuous sweep, created by Strauss as a musical pat on his own back.
Performed in Newark and Red Bank
Mozart’s Requiem
New Jersey Symphony Classical
Xian Zhang conductor
Mei Gui Zhang soprano
Taylor Raven mezzo-soprano
Eric Ferring tenor
Dashon Burton bass-baritone
Montclair State University Chorale | Heather J. Buchanan, director
New Jersey Symphony
- Gabriel Fauré Pavane
A slowly winding melody that started as a simple little five-minute piano solo. But when Fauré orchestrated his Pavane and added the rich sound of a chorus, he made magic and his greatest hit.
- Gustav Mahler Songs of a Wayfarer
Come enjoy one of the finest voices in America: bass-baritone Dashon Burton sings the suite of beautiful songs Mahler wrote as he took solace in nature after being spurned in love.
- Wolfgang Amadeus Mozart Requiem
A swansong full of fire, grace, and a transcendent prayer that the human spirit will live on. Mozart’s Requiem was left maddeningly incomplete at his all-too-early death, but is nevertheless his final masterpiece.
Performed in Newark and New Brunswick
Mozart’s Requiem
New Jersey Symphony Classical
Xian Zhang conductor
Mei Gui Zhang soprano
Taylor Raven mezzo-soprano
Eric Ferring tenor
Dashon Burton bass-baritone
Montclair State University Chorale | Heather J. Buchanan, director
New Jersey Symphony
- Gabriel Fauré Pavane
A slowly winding melody that started as a simple little five-minute piano solo. But when Fauré orchestrated his Pavane and added the rich sound of a chorus, he made magic and his greatest hit.
- Gustav Mahler Songs of a Wayfarer
Come enjoy one of the finest voices in America: bass-baritone Dashon Burton sings the suite of beautiful songs Mahler wrote as he took solace in nature after being spurned in love.
- Wolfgang Amadeus Mozart Requiem
A swansong full of fire, grace, and a transcendent prayer that the human spirit will live on. Mozart’s Requiem was left maddeningly incomplete at his all-too-early death, but is nevertheless his final masterpiece.
Performed in Newark and New Brunswick
Mozart’s Requiem
New Jersey Symphony Classical
Xian Zhang conductor
Mei Gui Zhang soprano
Taylor Raven mezzo-soprano
Eric Ferring tenor
Dashon Burton bass-baritone
Montclair State University Chorale | Heather J. Buchanan, director
New Jersey Symphony
- Gabriel Fauré Pavane
A slowly winding melody that started as a simple little five-minute piano solo. But when Fauré orchestrated his Pavane and added the rich sound of a chorus, he made magic and his greatest hit.
- Gustav Mahler Songs of a Wayfarer
Come enjoy one of the finest voices in America: bass-baritone Dashon Burton sings the suite of beautiful songs Mahler wrote as he took solace in nature after being spurned in love.
- Wolfgang Amadeus Mozart Requiem
A swansong full of fire, grace, and a transcendent prayer that the human spirit will live on. Mozart’s Requiem was left maddeningly incomplete at his all-too-early death, but is nevertheless his final masterpiece.
Performed in Newark and New Brunswick
Joshua Bell Leads Mendelssohn’s “Italian”
New Jersey Symphony Classical
Joshua Bell conductor & violin
New Jersey Symphony
- Felix Mendelssohn The Hebrides (Fingal’s Cave)
The music swells and surges just as the waves off Scotland’s coast carried the young Mendelssohn past moody cliffs and caves and sent him reaching for his score paper.
- Édouard Lalo Symphonie espagnole
Though called a “symphony,” this is where superstar Joshua Bell stands and lets his Stradivarius violin sing the silvery songs of Spain.
- Felix Mendelssohn Symphony No. 4, “Italian”
“The jolliest piece I’ve ever done,” wrote an ecstatic young Mendelssohn to his parents back in Berlin, after arriving in Italy and falling in love with its sunshine, sidewalk tunes, coast, and effervescent colors—all of which he poured into his Fourth Symphony.
Performed in Newark, Princeton and Morristown
Joshua Bell Leads Mendelssohn’s “Italian”
New Jersey Symphony Classical
Joshua Bell conductor & violin
New Jersey Symphony
- Felix Mendelssohn The Hebrides (Fingal’s Cave)
The music swells and surges just as the waves off Scotland’s coast carried the young Mendelssohn past moody cliffs and caves and sent him reaching for his score paper.
- Édouard Lalo Symphonie espagnole
Though called a “symphony,” this is where superstar Joshua Bell stands and lets his Stradivarius violin sing the silvery songs of Spain.
- Felix Mendelssohn Symphony No. 4, “Italian”
“The jolliest piece I’ve ever done,” wrote an ecstatic young Mendelssohn to his parents back in Berlin, after arriving in Italy and falling in love with its sunshine, sidewalk tunes, coast, and effervescent colors—all of which he poured into his Fourth Symphony.
Performed in Newark, Princeton and Morristown
Joshua Bell Leads Mendelssohn’s “Italian”
New Jersey Symphony Classical
Joshua Bell conductor & violin
New Jersey Symphony
- Felix Mendelssohn The Hebrides (Fingal’s Cave)
The music swells and surges just as the waves off Scotland’s coast carried the young Mendelssohn past moody cliffs and caves and sent him reaching for his score paper.
- Édouard Lalo Symphonie espagnole
Though called a “symphony,” this is where superstar Joshua Bell stands and lets his Stradivarius violin sing the silvery songs of Spain.
- Felix Mendelssohn Symphony No. 4, “Italian”
“The jolliest piece I’ve ever done,” wrote an ecstatic young Mendelssohn to his parents back in Berlin, after arriving in Italy and falling in love with its sunshine, sidewalk tunes, coast, and effervescent colors—all of which he poured into his Fourth Symphony.
Performed in Newark, Princeton and Morristown
Joshua Bell Leads Mendelssohn’s “Italian”
New Jersey Symphony Classical
Joshua Bell conductor & violin
New Jersey Symphony
- Felix Mendelssohn The Hebrides (Fingal’s Cave)
The music swells and surges just as the waves off Scotland’s coast carried the young Mendelssohn past moody cliffs and caves and sent him reaching for his score paper.
- Édouard Lalo Symphonie espagnole
Though called a “symphony,” this is where superstar Joshua Bell stands and lets his Stradivarius violin sing the silvery songs of Spain.
- Felix Mendelssohn Symphony No. 4, “Italian”
“The jolliest piece I’ve ever done,” wrote an ecstatic young Mendelssohn to his parents back in Berlin, after arriving in Italy and falling in love with its sunshine, sidewalk tunes, coast, and effervescent colors—all of which he poured into his Fourth Symphony.
Performed in Newark, Princeton and Morristown
Star Wars: The Last Jedi in Concert
New Jersey Symphony at the Movies
Constantine Kitsopoulos conductor
New Jersey Symphony
Don’t miss this big-screen battle with the score performed live by the New Jersey Symphony. The Resistance is in desperate need of help when they find themselves impossibly pursued by the First Order. While Rey travels to a remote planet called Ahch-To to recruit Luke Skywalker to the Resistance, Finn and Rose, a mechanic, go on their own mission in the hopes of helping the Resistance finally escape the First Order. But everyone finds themselves on the salt-planet of Crait for a last stand.
Performed in Red Bank, Newark and New Brunswick
Star Wars: The Last Jedi in Concert
New Jersey Symphony at the Movies
Constantine Kitsopoulos conductor
New Jersey Symphony
Don’t miss this big-screen battle with the score performed live by the New Jersey Symphony. The Resistance is in desperate need of help when they find themselves impossibly pursued by the First Order. While Rey travels to a remote planet called Ahch-To to recruit Luke Skywalker to the Resistance, Finn and Rose, a mechanic, go on their own mission in the hopes of helping the Resistance finally escape the First Order. But everyone finds themselves on the salt-planet of Crait for a last stand.
Performed in Red Bank, Newark and New Brunswick
Star Wars: The Last Jedi in Concert
New Jersey Symphony at the Movies
Constantine Kitsopoulos conductor
New Jersey Symphony
Don’t miss this big-screen battle with the score performed live by the New Jersey Symphony. The Resistance is in desperate need of help when they find themselves impossibly pursued by the First Order. While Rey travels to a remote planet called Ahch-To to recruit Luke Skywalker to the Resistance, Finn and Rose, a mechanic, go on their own mission in the hopes of helping the Resistance finally escape the First Order. But everyone finds themselves on the salt-planet of Crait for a last stand.
Performed in Red Bank, Newark and New Brunswick
Symphonie fantastique
Season Finale | New Jersey Symphony Classical
Xian Zhang conductor
Emanuel Ax piano
New Jersey Symphony
- Allison Loggins-Hull New Work (World Premiere, New Jersey Symphony Commission)
You may have seen her performing with Lizzo at the GRAMMYs, or heard her on the soundtrack to The Lion King, or loved her Can You See? performed by the New Jersey Symphony last fall. Be the first to hear our Resident Artistic Partner’s latest creation.
- Wolfgang Amadeus Mozart Piano Concerto No. 22
Mozart in his late 20s took a tune he wrote when he was eight and turned it into this half-hour masterpiece, the second of its three movements so moving that its first audience demanded a repeat.
- Hector Berlioz Symphonie fantastique
Smitten with unrequited love, Berlioz funneled all his frustrations and utter mind-blowing genius into a whirlwind of orchestral color.
Performed in New Brunswick, Princeton, Red Bank and Newark
Symphonie fantastique
Season Finale | New Jersey Symphony Classical
Xian Zhang conductor
Emanuel Ax piano
New Jersey Symphony
- Allison Loggins-Hull New Work (World Premiere, New Jersey Symphony Commission)
You may have seen her performing with Lizzo at the GRAMMYs, or heard her on the soundtrack to The Lion King, or loved her Can You See? performed by the New Jersey Symphony last fall. Be the first to hear our Resident Artistic Partner’s latest creation.
- Wolfgang Amadeus Mozart Piano Concerto No. 22
Mozart in his late 20s took a tune he wrote when he was eight and turned it into this half-hour masterpiece, the second of its three movements so moving that its first audience demanded a repeat.
- Hector Berlioz Symphonie fantastique
Smitten with unrequited love, Berlioz funneled all his frustrations and utter mind-blowing genius into a whirlwind of orchestral color.
Performed in New Brunswick, Princeton, Red Bank and Newark
Symphonie fantastique
Season Finale | New Jersey Symphony Classical
Xian Zhang conductor
Emanuel Ax piano
New Jersey Symphony
- Allison Loggins-Hull New Work (World Premiere, New Jersey Symphony Commission)
You may have seen her performing with Lizzo at the GRAMMYs, or heard her on the soundtrack to The Lion King, or loved her Can You See? performed by the New Jersey Symphony last fall. Be the first to hear our Resident Artistic Partner’s latest creation.
- Wolfgang Amadeus Mozart Piano Concerto No. 22
Mozart in his late 20s took a tune he wrote when he was eight and turned it into this half-hour masterpiece, the second of its three movements so moving that its first audience demanded a repeat.
- Hector Berlioz Symphonie fantastique
Smitten with unrequited love, Berlioz funneled all his frustrations and utter mind-blowing genius into a whirlwind of orchestral color.
Performed in New Brunswick, Princeton, Red Bank and Newark
Symphonie fantastique
Season Finale | New Jersey Symphony Classical
Xian Zhang conductor
Emanuel Ax piano
New Jersey Symphony
- Allison Loggins-Hull New Work (World Premiere, New Jersey Symphony Commission)
You may have seen her performing with Lizzo at the GRAMMYs, or heard her on the soundtrack to The Lion King, or loved her Can You See? performed by the New Jersey Symphony last fall. Be the first to hear our Resident Artistic Partner’s latest creation.
- Wolfgang Amadeus Mozart Piano Concerto No. 22
Mozart in his late 20s took a tune he wrote when he was eight and turned it into this half-hour masterpiece, the second of its three movements so moving that its first audience demanded a repeat.
- Hector Berlioz Symphonie fantastique
Smitten with unrequited love, Berlioz funneled all his frustrations and utter mind-blowing genius into a whirlwind of orchestral color.
Performed in New Brunswick, Princeton, Red Bank and Newark
Ben Folds with the New Jersey Symphony
Ben Folds performs his greatest hits!
Ben Folds guest artist
New Jersey Symphony
Emmy-nominated singer-songwriter-composer Ben Folds joins the New Jersey Symphony for a unique and unforgettable performance of music from across his career. Widely regarded as one of the major musical influences of our generation, Folds’ enormous body of genre-bending music includes pop albums with Ben Folds Five, multiple solo albums, and numerous collaborative records. His latest album, 2023’s What Matters Most, is a blend of piano-driven pop rock songs, while his 2015 Concerto for Piano and Orchestra soared to #1 on both the Billboard classical and classical crossover charts. He released his first Christmas album in 2024 and last Fall recorded a live album slated for release in 2025 with the National Symphony Orchestra (NSO) at The Kennedy Center in Washington, D.C., where he served for eight years as the first artistic advisor to the NSO.
Performed in Newark and New Brunswick
Ben Folds with the New Jersey Symphony
Ben Folds performs his greatest hits!
Ben Folds guest artist
New Jersey Symphony
Emmy-nominated singer-songwriter-composer Ben Folds joins the New Jersey Symphony for a unique and unforgettable performance of music from across his career. Widely regarded as one of the major musical influences of our generation, Folds’ enormous body of genre-bending music includes pop albums with Ben Folds Five, multiple solo albums, and numerous collaborative records. His latest album, 2023’s What Matters Most, is a blend of piano-driven pop rock songs, while his 2015 Concerto for Piano and Orchestra soared to #1 on both the Billboard classical and classical crossover charts. He released his first Christmas album in 2024 and last Fall recorded a live album slated for release in 2025 with the National Symphony Orchestra (NSO) at The Kennedy Center in Washington, D.C., where he served for eight years as the first artistic advisor to the NSO.
Performed in Newark and New Brunswick
Program Notes | Holst’s The Planets—An HD Odyssey
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Program
Xian Zhang conductor
Nancy Zhou violin
Montclair State University Prima Voce | Heather J. Buchanan, director
New Jersey Symphony
Caroline Shaw The Observatory
Ralph Vaughan Williams The Lark Ascending
Intermission
Gustav Holst The Planets—An HD Odyssey
MARS, THE BRINGER OF WAR
VENUS, THE BRINGER OF PEACE
MERCURY, THE WINGED MESSENGER
JUPITER, THE BRINGER OF JOLLITY
SATURN, THE BRINGER OF OLD AGE
URANUS, THE MAGICIAN
NEPTUNE, THE MYSTIC
Caroline Shaw: The Observatory
Caroline Shaw rocketed into the international new music world in 2013, when she became the youngest composer ever to receive the Pulitzer Prize in music. Since then, her career has soared. The Los Angeles Philharmonic and the Cincinnati Symphony Orchestra co-commissioned The Observatory in 2019. She has written:
I always try to write for the environment in which the music will first be heard. Writing an orchestral work for a summer evening in Hollywood got me thinking about my favorite genre of film and storytelling: sci-fi. . .[The Observatory has] patterns and details of movements of patterns, motives that appear in diminution and augmentation simultaneously, like objects in orbit at different phases. . .are references to Strauss’ Don Juan, Bach’s Brandenburg Concerto No. 3, Sibelius’ Symphony No. 2, Brahms’ Symphony No. 1 and the arpeggiated chimes used to summon audiences to their seats at concerts. There is chaos and clarity. Welcome to The Observatory.
Ralph Vaughan Williams: The Lark Ascending
The Lark Ascending is a 13-minute work inspired by a George Meredith poem. Vaughan Williams originally composed it for violin and piano in 1914, then reworked it for violin and orchestra after World War I. Williams had studied violin as a boy and was deeply attuned to English literature. He included 12 lines from Meredith’s poem at the head of the score. His music transports us in the joyous swoop and soar of the lark’s aerial flight, momentarily suspending our earthbound existence in favor of a figurative birds-eye view of the lovely Cotswold countryside.
Gustav Holst: The Planets—An HD Odyssey
Gustav Holst wrestled with large forms, yet in his orchestral suite The Planets, he composed one of the most monumental pieces in literature. These seven movements are progressions of character: from war to peace (Venus); thence to a messenger (Mercury) who ushers in first jollity (Jupiter), then old age (Saturn). Finally, we are introduced to magic (Uranus) and mysticism (Neptune). In a way, Holst is taking us as listeners on a journey through life, not only from a temporal standpoint, but also from a spiritual one. Holst’s extraordinary range of mood, color and expression makes The Planets an engrossing and powerful listening experience.
These performances are complemented by stunning visual imagery of the more literal planets, the province of NASA astronomers.
Extended Notes and Artist Bios
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Caroline Shaw: The Observatory
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Caroline Shaw
Born: August 1, 1982, in Greenville, North Carolina
Composed: 2019
World Premiere: August 27, 2019, in Los Angeles; Xian Zhang conducted the Los Angeles Philharmonic.
Duration: 16 minutes
Instrumentation: two flutes, piccolo, two oboes, two clarinets, bass clarinet, two bassoons, contrabassoon, four horns, two trumpets, three trombones, tuba, timpani, percussion (bass drum, glockenspiel, snare drum and vibraphone), piano and stringsCaroline Shaw broke through to the forefront of the international new music world in 2013, when her Partita for 8 Voices won the Pulitzer Prize in music. She was the youngest composer ever to receive that prestigious award. She studied at Rice, Yale and Princeton, and currently serves on the faculty at NYU and as a creative associate at Juilliard.
Though Shaw is still in her early 40s, her career has soared. She has fulfilled commissions from soprano Renée Fleming with pianist Inon Barnatan; the Dover and Calidore Quartets, soprano Dawn Upshaw with Sō Percussion and pianist Gilbert Kalish, and the Baltimore Symphony, among others. During the 2018–19 season, Jonathan Biss was soloist in Watermark, Shaw’s then-new piano concerto for the Seattle Symphony. She remains active as a performer, both as a violinist and as a singer with Roomful of Teeth. Caroline loves the color yellow, otters, Beethoven’s Quartet Op. 74, Mozart’s operas, Kinhaven, the smell of rosemary and the sound of a janky mandolin.
The Los Angeles Philharmonic and the Cincinnati Symphony Orchestra co-commissioned The Observatory. Shaw’s title refers to Griffith Observatory, a landmark structure north of Los Angeles that has become the most visited observatory in the world.
Her composer’s note follows in its entirety.
Creating a score for full orchestra can feel like simultaneously standing on a mountaintop, scrubbing your kitchen floor, swimming in the middle of a lake, riding the subway during rush hour and gently holding someone’s hand. It’s not a medium that I work in very often. I always try to write for the particular environment (place, ensemble or person, time of year, etc.) in which the music will first be heard (in this case: the Hollywood Bowl, the LA Phil, the brilliant Xian Zhang, the heat of August 2019). It’s a fun constraint, and it helps keep the writing personal and connected to the real world. The first and only time I’ve ever been to the Hollywood Bowl was in September 2015, singing with Kanye at the 808s and Heartbreak show. It was a wild ride, and I remember feeling like an observer of a mysterious workshop that somehow churned beauty out of chaos. There is also something about writing an orchestral work for a summer evening in Hollywood that got me thinking about my favorite genre of film and storytelling—sci-fi. I love the way epic tales of the beyond can zoom in and out, using grand imagined alternate universes to tell stories about ourselves. And I love how music in these films carves and colors our attention to those worlds (in their various scales).
While writing music, I often imagine some kind of visual (usually abstract, sometimes figural, rarely narrative), as a guide for myself and sometimes as a thing to write against. There’s an invisible counterpoint here, but I’d rather someone simply listen and create their own contrapuntal narrative adventure than read an account of mine—to leave space for one's own observation and reflection, whether it be of the music or their neighbor’s t-shirt or cosmology or tomorrow’s grocery list. (The grand story arcs of our lives sometimes play out in minutiae and the mundane). And often the imagined visuals that I write to are nothing more than shifts in color or a quick cut between undefined scenes. (Sometimes the juxtapositions and transitions [and parentheticals] are where the stories are).
I was in the midst of writing The Observatory while in LA [in spring 2019] to record some vocals (hi, Teddy Shapiro!). So, one morning before our session I went up to the Griffith Observatory to clear my head. I looked down at the city with all its curves and all its edges (thanks, John Legend) and up at the sky, which has been observed and wondered about since the beginning of consciousness. I had been thinking about my friend Kendrick Smith, a cosmologist at the Perimeter Institute (and also my favorite grill master). Kendrick is at the cutting edge of the ancient tradition of stargazing, constructing new frameworks for analyzing data collected by the CHIME radio telescope. My simplistic distillation of his work: Kendrick develops ways of looking at ways of looking at ways of looking at (ways of looking at) the universe. Sometimes I think maybe that’s what music is. Or maybe it’s just a way to acknowledge and pass the time.
If you’ve gotten this far in the program note, you’re probably wondering if I’ll actually talk about the music you will hear in The Observatory. Okay. There are some very large chords, and some very large spaces. There are patterns and details of movements of patterns (thanks, T.S.). There are motives that appear in diminution and augmentation simultaneously, like objects in orbit at different phases. There is foreground and background. There is love for Andrew Norman. There are references to Strauss’ Don Juan, Bach’s Brandenburg Concerto No. 3, Sibelius’ Symphony No. 2, Brahms’ Symphony No. 1 and the arpeggiated chimes used to summon audiences to their seats at orchestra concerts. There is celebration and criticism of systems. There is chaos and clarity. The very large chords return at the end, but their behavior is not the same as when we began. Welcome to The Observatory.
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Ralph Vaughan Williams: The Lark Ascending
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Ralph Vaughan Williams
Born: October 12, 1872, in Down Ampney, Gloucestershire, England
Died: August 26, 1958, in London, England
Composed: 1914; revised in 1920
World Premiere: December 15, 1920, in the violin-piano version. The orchestral version premiered June 14, 1921. The soloist was Marie Hall. Sir Adrian Boult led the British Symphony Orchestra.
Duration: 13 minutes
Instrumentation: two flutes, oboe, two clarinets, two bassoons, two horns, triangle, solo violin and stringsAs a child, Vaughan Williams played violin. He was no Paganini, and once remarked that the violin had saved him from the piano. But he understood how to write for the instrument, an understanding eloquently demonstrated in his exquisite romance for violin and orchestra, The Lark Ascending. Beethoven wrote two romances for violin and orchestra, but the analogy is distant. Vaughan Williams was not psychologically attuned to the dramatic 19th-century view of the virtuoso. None of his compositions for soloist and orchestra is a large work; this one is decidedly evocative rather than confrontational or daring.
At the head of Vaughan Williams’ score are quoted the following lines from George Meredith’s Poems and Lyrics of the Joys of Earth.
He rises and begins to round.
He drops the silver chain of sound,
Of many links without a break,
In chirrup, whistle, slur and shake.
* * * *
For singing till his heaven fills,
‘Tis love of earth that he instils,
And ever winging up and up,
Our valley is his golden cup,
And he the wine which overflows
To life us with him as he goes
* * * *
Till lost on his aërial rings
In light, and then the fancy sings.While the poem does not determine the music in the sense of direct musico-pictorial description, both the opening and closing of The Lark Ascending bear direct relationship to Meredith’s couplets. Frank Howes has wryly observed that:
…this lark is a pentatonic bird with a propensity for leaving out the third and becoming tetratonic.
The piece has a key signature of one sharp, implying G major. Characteristically, Vaughan Williams opts for the modal progressions that flavor so much of his music. The work takes its shape from three melismatic violin cadenzas without bar lines, emulating the exploratory ascent of the bird. Enveloped within the cadenzas are three lyrical orchestral sections. The outer two are in 6/8 time; the second cadenza heralds a tranquil switch to 2/4. We always feel that the soloist is fully integrated into the orchestral texture, rather than being pitted against it. In this most pastoral of movements, the distractions of everyday life seem remote. Rather, we are caught up in the joyous swoop and soar of aerial flight, momentarily suspending humanhood in favor of a literal and figurative birds-eye view of the Cotswold countryside that inspired Vaughan Williams.
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Gustav Holst: The Planets—An HD Odyssey
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Gustav Holst
Born: September 21, 1874, in Cheltenham, England
Died: May 25, 1934, in London, England
Composed: 1914–1916
World Premiere: September 29, 1918, in Queens Hall, London
Duration: 51 minutes
Instrumentation: four flutes (one doubling piccolo, one doubling piccolo and alto flute), three oboes (one doubling bass oboe), English horn, three clarinets, bass clarinet, three bassoons, contrabassoon, six horns, four trumpets, two trombones, bass trombone, tenor tuba, tuba, six timpani (requiring two players), percussion (including snare drum, cymbals, bass drum, triangle, tambourine, chimes, tam-tam, xylophone and glockenspiel), two harps, celesta, organ, women’s chorus and stringsWhen Gustav Holst began work on The Planets in 1914, he had thought about composing a large orchestral suite for some time. This one began with the title Seven Pieces for Large Orchestra, an homage to his contemporary Arnold Schoenberg, whose Five Pieces for Orchestra, Op. 16 (1909) Holst greatly admired. Most critics compare The Planets to Schoenberg’s Five Pieces or to Stravinsky’s The Rite of Spring (1913), both of which were certainly influential. In terms of orchestral precedent, the best comparison is to Bedřich Smetana’s Má Vlast (My Fatherland), six movements loosely linked by the course of a great river and each of which functions as a discrete tone poem.
The Planets is full of paradoxes. One irony is that Holst wrestled with large forms, uncomfortable with the structural constraints that symphonies and concertos presented. Yet in this collection of orchestral movements, he composed one of the most monumental pieces in literature. Another contradiction is that The Planets was written from 1914 to 1916 and is thus generally classified as a war work. Yet its relentless, menacing first movement—“Mars, The Bringer of War”—was fully drafted before Great Britain entered the war. Thus, it is certainly not Holst’s reaction to the horror of military conflict; his daughter and biographer, Imogen Holst, deems the movement prophetic.
We would do better to look at the progression of character that Holst makes through his seven movements: from war to peace (Venus); thence to a messenger (Mercury) who ushers in first jollity (Jupiter), then old age (Saturn). Finally, we are introduced to magic (Uranus) and mysticism (Neptune). In a way, Holst is taking us as listeners on a journey through life, not only from a temporal standpoint, but also from a spiritual one. Thus, Venus here is a palliative to war, rather than a symbol of romantic love. She tempers the brutality and violence of Mars’ music, with reminders of beauty and refinement.
In “Mercury,” which functions as a scherzo movement, Holst gives vent again to adolescent energy and enthusiasm. He is herald to Jupiter, whose irrepressible joviality has made this central movement the best known and most popular of the seven. From here we encounter the darker, more abstract side of Holst’s personality. “Saturn” is the consummate mood piece, confronting us with fear of mortality. The sorcerer of Dukas’ The Sorcerer’s Apprentice clearly had at least a rhythmic impact on Holst’s evocation of “Uranus the Magician.” Mystery and the occult reach their peak in the finale, “Neptune,” which adds a wordless chorus of treble voices to evoke the transcendent boundlessness of the universe.
The Planets abounds in opportunities for every section of the orchestra and most of the instrumental principals, to an extent that rivals a concerto for orchestra. Holst’s extraordinary range of mood, color and expression makes The Planets an engrossing and powerful listening experience.
These performances are multi-media, projecting images of each planet on the screen above the stage. NASA’s astonishing photographs of these landmarks in our solar system are a marvelous and awe-inspiring complement to Holst’s cinematic music.
E.D. Hirsch’s original Dictionary of Cultural Literacy (1988) told us that a planet is “a kind of object that is in orbit around a star but does not give off its own light; rather, it shines by reflecting sunlight…There are nine major planets, including the earth, in orbit around our sun, along with many asteroids.” The first thing we ought to know about Gustav Holst’s most famous work, The Planets, is that it is not about mythology. Most planets in our solar system simply happen to be named for ancient Greek and Roman gods and goddesses.
We know from the program page that Holst’s suite consists of seven movements. Mr. Hirsch and our middle school science teachers taught us that our solar system had nine planets. That changed in 2003, when astronomers tentatively identified a tenth planet. They reported that the so-called tenth planet (“2003 UB313”) was even larger than Pluto. Informally, they referred to it as Xena, but in 2006 they formally designated this trans-Neptunian object as Eris.
The three planets “missing” from the Holst composition are Pluto, Earth and the recently discovered 2003 UB313, aka Xena or Eris. Pluto was not discovered until 1930 (and in any case was downgraded in 2006 to a “dwarf planet,” as was the newcomer Eris). Holst completed The Planets in 1917. Earth, for whatever reason, did not stimulate his imagination. His symphonic suite is its own musical galaxy, less governed by science than by mysticism.
What then was Holst’s context? Astrology, at least as a jumping-off point. But there is a lot more going on in these seven tone poems—for that is, in effect, what they are—than just the character he deemed appropriate to each of the planets. Holst was a bookworm who preferred the solitude of his study to almost everything. He became interested in eastern religions and mysticism early on, and worked both aspects into much of his music, including The Planets. For him, philosophical ideas took precedence over astrological or astronomical accuracy. He thought of The Planets as a series of mood pictures, and neither intended nor achieved immense contrast within any of its individual components. Between contiguous movements, however, there is a world of difference. That is precisely why this work is so enormously effective in its cumulative dramatic and musical impact.
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Artist Bio: Xian Zhang, conductor
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2024–25 will mark the GRAMMY and Emmy Award-winning conductor Xian Zhang’s ninth season as music director of the New Jersey Symphony. Starting in 2025–26, Zhang will also hold the role of music director at Seattle Symphony. Zhang holds the position of conductor emeritus of Orchestra Sinfonica di Milano, having previously held the position of music director between 2009–2016.
The 2024–25 season sees Zhang return to the Metropolitan Opera in New York to conduct David McVicar’s acclaimed production of Puccini’s Tosca.
Zhang is in high demand as a guest conductor, appearing regularly with Philadelphia Orchestra and Los Angeles Philharmonic, returning to both in 2024–25. Her recording with Philadelphia Orchestra and Time for Three, Letters for The Future (released 2022 on Deutsche Grammophon), won multiple GRAMMY Awards in the Best Contemporary Classical Composition (Kevin Puts’ Contact) and Best Classical Instrumental Solo categories.
Following a successful collaboration at Tanglewood Festival 2023, Zhang returns to Boston Symphony Orchestra this season. She remains a favored guest of the Orchestra of St Luke’s and recently stepped in for their Brahms Requiem concert at Carnegie Hall. Other 2024–25 highlights include Montreal Symphony, Baltimore Symphony, NAC Orchestra, Belgian National Orchestra and Milan Symphony Orchestra.
Zhang continues to enjoy good relationships with many leading orchestras worldwide, including London Symphony Orchestra, Orquestra Sinfônica do Estado de São Paulo, Houston Symphony, St Louis Symphony, San Francisco Symphony, National Symphony Orchestra DC and Orchestre National du Capitole de Toulouse.
Zhang previously served as principal guest conductor of the BBC National Orchestra & Chorus of Wales, the first female conductor to hold a titled role with a BBC orchestra. In 2002, she won first prize in the Maazel-Vilar Conductor's Competition. She was appointed New York Philharmonic’s assistant conductor in 2002, subsequently becoming their associate conductor and the first holder of the Arturo Toscanini Chair.
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Artist Bio: Nancy Zhou, violin
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Known for her probing musical voice and searing virtuosity, Nancy Zhou seeks to invigorate appreciation for the art and science of the violin. Her thoughtful musicianship and robust online presence resonate with a global audience in such a way that brings her on stage with leading orchestras around the world.
More than 20 years since her orchestral debut, Zhou has collaborated with the Royal Stockholm Philharmonic Orchestra, Munich Symphony, Hong Kong Philharmonic, New Jersey Symphony, Naples Philharmonic, San Diego Symphony, among others. A passionate soloist who cherishes chamber music collaborations and commits to the responsibility of education, Zhou has performed at festivals including the Verbier Festival, Tongyeong Music Festival, and Marvão Festival; she is a regular guest educator at various international summer festivals, holding not only masterclasses but also workshops on fundamental training and wellbeing for musicians.
Over the years, the violinist’s interest in cultural heritage and the humanities manifested in a string of notable collaborations across the US and in China. In collaboration with the New Jersey Symphony and Xian Zhang, she presented Zhao Jiping's first violin concerto at Alic Tully Hall; gave the US premieres of Unsuk Chin's “Gran Cadenza” for two solo violins with Anne-Sophie Mutter; performed Chen Qigang’s “La joie de la souffrance” with the Rogue Valle Symphony; and, in partnership with the La Jolla Symphony, gave the West Coast premiere of Vivian Fung’s Violin Concerto No. 1. On the other side of the globe, the past season saw Zhou bringing three cornerstone concerti to China in a five-city tour; her collaborative partner included the Shanghai and Guangzhou Symphony Orchestras, and the China and Hohhot Philharmonics.
In the summer of 2025, Zhou embarks on a research trip with Canadian-born Chinese composer Vivian Fung to Zhexiang, China—the hometown village of the violinist’s mother, a former professional folk dancer. The project culminates with a work for violin and electronics that explores the intersection of music as a cultural force and folk minority culture. In October 2024, Zhou recorded her debut album, Stories (re)Traced, in response to these questions. The album features four seminal and inextricably connected works for solo violin, including Béla Bartók’s Sonata, and releases this summer with Orchid Classics.
The 2024–25 season brings a returning engagement with the New Jersey Symphony, performances with Orquestra Vigo, Puerto Rico Symphony, San Antonio Philharmonic, Hangzhou Philharmonic, and Guiyang Symphony, as well as recital appearances in Boston, Mexico, Portugal, Taiwan, and China.
Born in Texas to Chinese immigrant parents, Zhou began the violin under the guidance of her father, who hails from a family of traditional musicians. She went on to study with Miriam Fried at the New England Conservatory while pursuing her interest in literature at Harvard University. Since 2019, she is an associated artist of the Queen Elisabeth Chapel and was appointed professor of violin at the San Francisco Conservatory of Music in September 2023. Zhou plays on an 1815 Giovanni Battiste Ceruti.
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Artist Bio: Montclair State University Prima Voce | Heather J. Buchanan, director
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Under the direction of Australian-born conductor Heather J. Buchanan since September 2003, the Montclair State University choral program has been recognized for successful collaborations with world-renowned artists and celebrated professional musicians in national and international venues, including Meredith Monk, Richard Alston Dance Company (UK), VOCES8 and Eric Whitacre. Montclair choirs appear regularly with the New Jersey Symphony and have won critical acclaim for their “heartfelt conviction,” “vibrant sound,” being a “marvel of diction, tuning and rhythm,” “eloquence” and for singing with the “crispness and dexterity of a professional choir.” Pianist Steven W. Ryan is the Montclair choral accompanist.
Prima Voce is an extracurricular SSAA project choir with membership drawn from University Singers, Chorale, and alumnae. It was formed in Fall 2012 for performances of A Ceremony of Carols (Britten) with the Internationally acclaimed UK-based Richard Alston Dance Company, presented by Peak Performances in the Alexander Kasser Theater. In January 2016, Prima Voce sang Mendelssohn’s A Midsummer Night’s Dream with the Symphony under the baton of Jacques Lacombe, with Montclair students and alumnae making their Symphony solo debut singing the fairy roles. A 2023–24 season highlight was Mahler’s Symphony No. 3 under Music Director Xian Zhang.
Established in 1908, Montclair State is a Research Doctoral Institution ranked in the top tier of national universities, with 13 degree-granting colleges/schools serving more than 24,000 undergraduate and graduate students. John J. Cali School of Music students study with a worldclass faculty drawn from the finest musicians and scholars in the New York metropolitan area and beyond. Professor of Music and Director of Choral Activities Dr. Heather J. Buchanan holds degrees from the University of New England (Australia), Westminster Choir College of Rider University (USA) and the Queensland Conservatorium at Griffith University (Australia) and is a Licensed Body Mapping Educator. A vibrant teacher, dynamic performer and passionate musicians’ health advocate, she is in demand as a guest conductor, somatic educator and choral clinician in the US and abroad.